In plain English, the kissee knows she is to be kissed.

Alright. You have subtly kissed the corner of her mouth. Don't hesitate. Push on further to more pleasurable spots. Ahead of you lies that which had been promised in your dreams, the tender, luscious lips of the girl you love. But don't sit idly by and watch them quivering.

Act!

Lift your lips away slightly, center them so that when you make contact there will be a perfect union. Notice, only momentarily, the picture of her teeth in her lips. And, then, like a sea-gull "swooping gracefully down through the air," bring your lips down firmly onto the lips of the girl who is quivering in; your arms.

Kiss her!

Kiss her as though, at that moment, nothing else exists in the world. Kiss her as though your entire life is wrapped up into the period of the kiss. Kiss her as though there is nothing else that you would rather be doing. Kiss her!

At this point, it is necessary for us to discuss a few subjects which are germane to the art of kissing, particularly in so far as they apply to what has just been described. For instance, there has been raised quite a full in regard to whether one should close one's eyes while kissing or while being kissed. Personally, I disagree with those who advise closed eyes. To me, there is an additional thrill in seeing, before my eyes, the drama of bliss and pleasure as it is played on the face of my beloved. I can see tiny wrinkles form at the comers of her eyes, wrinkles of joy. I can see fleeting spasms of Happiness flit across her eyes. I can see these things and, in seeing them, my pleasurable reactions to the kiss are considerably heightened. In keeping my eyes open, I am giving pleasure not to one sense alone, the sense of touch, but to two senses, the senses of touch and of sight. These two, coupled with the sense of smell which is actuated by the perfume of her breath, all combine to make the kiss an exquisite, ineffable epitome of unalloyed bliss.

Another question which must be settled at this time concerns the size of the kissee's mouth. A consideration of this factor is important. Where the girl's mouth is of the tiny, rosebud type, then one need not worry about what to do. Merely follow the directions as they were outlined above. However, there are many girls whose lips are broad and generous', whose lips are on the order of Joan Crawford's, for instance.. The technique in kissing such lips is different.
Different Sizes of Mouths Require a Different Technique in Kissing.

For, were one to allow his lips to remain centered, there would be wide expanses of lips, untouched and, therefore, wasted. In such cases,. instead of remaining adhered to the center of the lips, the young man should lift up his lips a trifle and begin to travel around the girl's lips, stopping a number of times to drop a firm kiss in passing. When you have made a complete round of the lips, return immediately to the center bud and feast there. Feast there as did that lover of Fatimas, in Tennysen's poem, in which it was written that: "Once he drew, with one long kiss, my whole soul through my lips-as sunlight drinketh dew."

Then, sip of the honey.

Like the bee that settles on the fragrant pistils of a flower, and sips in the nectar for honey, so should you sip in the nectar from between the lips of your love. And it is nectar. For there is in this mingling a symbol of the holy communion o f the spirits of two soul-mates, joined together in the bonds of an indissoluble love. It was a kiss such as this which caused the writer of an old German novel to write:

"Sophia returned my kiss and the earth went from under my feet; my soul was no longer in my body; I touched the stars; I knew the Happiness of angels!"

But, don't be in a hurry! As in all matters pertaining to love, don't hurry the process of kissing. A kiss is too rapturous a thing to be enjoyed for the moment and the moment only. Linger longer on her lips than you have ever lingered before. Forget time. Forget everything but the kiss in which you are in the midst of. Don't be like that bashful young lover who, after a sweet, long kiss, drew his lips away from the lips of his charmer. Immediately, she burst out into tears.
"What's the matter?" he asked solicitously.

"You don't love me I" she said between sobs.

"But I do!"

"Then why did you draw your lips away?"

"I couldn't breathe," he said naively.

Breathe? Who wants to breathe, who even wants to think of breathing in the middle of an impassioned kiss? Breathe through your nose if you have to breathe. But kiss, keep on kissing, as long as there is one minute of breath in you. Kiss, as Byron said we should kiss, with the "long, long kiss of youth and love."

Recently, in Chicago, there was held a marathon kissing contest to determine which couple could hold their kiss the longest without being forced to separate. One pair was able to hold their kiss for fifteen hours. Think of that! Fifteen hours. And yet the naive lad stopped kissing because be couldn't breathe.

Elizabeth Barrett Browning must have spent many an ecstatic night of kissing with the poet, Robert Browning, if we are to judge from an excerpt from her "Aurora Leigh," in which she described a kiss as being "As long and silent as the ecstatic night."

Another poet, unknown, but certainly one who knew whereof he speaks, wrote the following poem which deserves to be quoted in its entirety.

Oh, that a joy so soon should waste,
Or so sweet a bliss as a kiss
Might not forever last!
So sugared, so melting, so delicious.
The dew that lies on roses,
When the morn herself discloses,
Is not so precious.
Oh, rather than I would it smother
Were I to taste such another.
It should be my wishing
That I might die kissing.
At this point, it should be explained that the lips are not the only part of the mouth which should be joined in kissing. Every lover is a glutton. He wants everything that is part of his sweetheart, everything. He doesn't want to miss a single iota of her "million-pleasured joys" as Keats once wrote of them. That is why, when kissing, there should be as many contacts, bodily contacts, as is possible.
Snuggle up closely together. Feel the warm touch of each other's bodies. Be so close that the rise and fall of each other's bosoms is felt by one another.

Get next to each other.

And, this same thing applies to the mouth in kissing. Don't be afraid to kiss with more than your lips. After your lips have been glued together for some time, open them slightly. Then put the tip of your tongue out so that you can feel the smooth surface of your kissee's teeth. This will be a signal for her to respond in kind. If she is wholly in accord with you, if she is, truly, your real love-mate, then you will notice that she, too, has opened her lips slightly and that, soon, her teeth will be parted. Then, if she is all that she should be, she should project the tip of her tongue so that it meets with the tip of yours.

Heaven will be in that union!

Lava will run through your veins instead of blood. Your breath will come in short gasps. There will rise up in you an overpowering, overwhelming surge of emotion such as you have never before experienced. If you are a man, you will clutch the shoulders of your loved one and sense a shudder course through you that makes you pant. If you are a woman, and being kissed, you will feel a strange languor passing through your limbs, your entire body. A shudder will go through you. You will moan in the delicious transports of love. And, in all probabilities, you will go faint because the blood in your veins will be rushing furiously into your entire system and away from your head. Thus, you will be unable to think any longer. You will only be able to feel, to feel the most exquisite of pleasures that it has been your lot to feel.

But don't stop at this.
Surely, there is more to your tongue than merely its tip. Probe further. Go deeper. Gently caress each other's tongues. For, in doing this, you are merging your souls. That is why this kiss was called the "soul" kiss by the French who were said to be the first people to have perfected it. The French have always been a liberal minded people. And, it is because of the fact that they dropped Puritanism many years ago, that they were able to perfect themselves in the art of love and, particularly, in the art of kissing.

Learn from the French.

Learn also from the Old Romans , especially Catullus, whose love poems to Lesbia have lived through the ages because of the sincerity of his passion and the genius of his ability to express his emotions in the form of beautiful poetry. For it was Catullus who wrote:

"Then to those kisses add a hundred more,

"Then to those kisses add a hundred more,
A thousand to that hundred so, kiss on!
To make that thousand up to a million;
Treble this million, and when that is done,
Let's kiss afresh, as when we first begun."
Kisses cost nothing. So kiss on. There is one thing that you cannot take away from people and that is the ability to make love to each other. Despite the fact that the world suffered from a long depression, people continued to get married and they continued to have children. In fact, according to recently released figures, there were, more children born during the Depression than there had been in good times. This means that, although married people did not have money, they still had themselves. They still had love. They still had the ability to kiss as they pleased and when they pleased and as often as they pleased.
Another poet asks:

What is a kiss? alack, at worst,
A single drop to quench a thirst,
Tho oft it proves in happier hour,
The first sweet drop of one long shower.
Because kisses cost nothing.
So kiss on. Keep on kissing. Rare old Ben Jonson realized this when he wrote that, if he had one wish, it would be that he could die kissing. But it is not only the robust and lusty poets, like Ben Johnson, who are gluttons for kisses. There has been attributed to John Ruskin, an old fogy of a philosopher if ever there was one, a request from him to a young lady friend of his that she "kiss him not sometimes but continually." Still another poet wrote:

Kisses told by hundreds o'er;
Thousands told by thousands more.
Millions, countless millions then
Told by millions o'er again;
Countless as the drops that glide
In the ocean's billowy tide,
Countless as yon orbs of light
Spangled o'er the vault of night
I'll with ceaseless love bestow
On those cheeks of crimson glow,
On those lips so gently swelling,
On those eyes such fond tales telling.

It is with the last few lines of this poem that our next subject for discussion concerns itself. As was mentioned before, the true lover is not satisfied with only one or two contacts. He wants nothing to be held from him. It is for that reason that, when kissing a girl, after you have given sufficient time to the kissing of her lips, you should vary your kissing by diverting your zeal to other portions of her face. Robert Herrick, who wrote, many beautiful love lyrics in his day, has a poem which ideally synthesizes this idea of varied kisses. In it he says:
It isn't creature born and bred
Between the lips all cherry-red;
It is an active flame that flies
First to the babies of the eyes;
Then to the cheek, the chin and ear;
It frisks and flies-now here, now there-
'Tis now far off, and then 'tis near;
Here and there and everywhere.

Let us say that you have raveled in a sweet, long kiss. Suddenly, you see your loved one's eyes close as though in a moment of weariness. Gently detach your lips from hers and raise them up to her closed eyelids. Drop a kisslet first on one eyelid and then on the other. Feel the rolling orb quiver under your lips. Then, when you have done this, run your lips down along the line of her nose, stopping at odd times to purse them into a tiny kiss. When you reach the wrinkle of her nostrils, bury your lips deeply into the curve and kiss little niblets into first one and then the other. If her eyes still are closed, repeat the process.

But return to the lips.

Never forget this important injunction, "Return to the lips," for they can never become satiated with love's ardent kisses. The little kisses that you have deposited on her eyes and her nose serve only to vary the Menu of love. They are but spice to the course of love's banquet which should always be the "lip kiss."

This time, when your eager lips have been deposited on the eager lips of the girl, try to vary the kiss. For instance instead of using the soul kiss, try what is known as the "vacuum kiss." Here you start off by first opening your mouth a. trifle just after you have been resting peacefully with closed lips. Indicate to your partner, by brushing her teeth with the tip of your tongue, that you wish for her to do likewise. The moment she responds, instead of caressing her mouth, suck inward as though you were trying to draw out the innards of an orange. If she knows of this kiss variations your maid will act in the same way and withdraw the air from your mouth. In this fashion, in a very short while, the air will have been entirely drawn out of your mouths. Your lips will adhere so tightly that there will almost be pain, instead of pleasure. But it will be the sort of pain that is highly pleasurable. That may sound odd but, nevertheless, it is a fact. Pain becomes so excruciating as to become pleasure. This subject will be gone into very shortly in regard to what is known as the "bite kiss." But, at present let I us continue with the "vacuum kiss."
This kiss must, of necessity, last a comparatively short time. There is too much strain on the delicate mouth tissues and the muscles tire very easily. It is for that reason that this kiss should be shortened. However, there is a special technique to be used to terminating it. When you decide that you have had enough of it, don't suddenly tear your mouth away. At least, don't do it if there are other people present in the house. For, they will become startled by the sound of a loud report which will result if you act suddenly. Any vacuum when suddenly opened to air gives off a loud popping noise. The procedure is simply to open first a comer of your mouth. You will hear a faint hissing sound when this is done. Immediately, you will find the pressure in your mouth lessen. The muscles will relax and a delicious sense of torpor will creep over your entire body, giving it a lassitude that is almost beatific.